Sculpture & Decorative Arts

European sculpture, furniture, ceramics, glass, and metalwork from the medieval period through the 19th century — including French decorative arts and Italian Renaissance bronzes.

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The Vexed ManFranz Xaver Messerschmidt · 1771–1783

Applied brilliance: craft, politics, and the courtly interior.

n pre-modern Europe, royal and aristocratic patrons invested far greater sums into decorative arts and furniture than into panel painting. Inlaid cabinets, tapestries, porcelain, and bronzes were calculated assertions of state power, technical dominance, and dynastic wealth designed to dictate the choreography of court life.

The collection showcases this exacting standard: André-Charles Boulle’s complex tortoiseshell and brass marquetry, monumental Sèvres porcelain services, and Italian Renaissance bronzes designed for tactile handling. These objects reveal how material luxury operated as a visual language of political legitimacy.

Highlights

Apollo Crowning Himself

Apollo Crowning Himself

Antonio Canova · 1781–1782

Marble
Bust of Pope Paul V

Bust of Pope Paul V

Gian Lorenzo Bernini · 1621

Marble
Herm of a Vestal Virgin

Herm of a Vestal Virgin

Antonio Canova · 1821–1822

Marble
Bust of Maria Cerri Capranica

Bust of Maria Cerri Capranica

Alessandro Algardi · about 1643

Marble
Coffer on a Stand

Coffer on a Stand

André-Charles Boulle · about 1684–1689

Oak, cypress, and walnut veneered with tortoise shell, blue-painted horn, ebony, padouk, rosewood, pewter, and brass; gilt-bronze mounts; mirror glass
Cabinet (Cabinet des Médailles)

Cabinet (Cabinet des Médailles)

André-Charles Boulle · about 1710–1715

Oak and fir veneered with ebony, amaranth, kingwood, brass, and tortoise shell, gilt-bronze mounts; sarrancolin des Pyrénées marble top

Themes

The Cabinetmaker's Art: Marquetry and Gilt Bronze
The Woven Room: Tapestry and Design
Bronze and Marble: Sculpture in the Round