J. Paul Getty Museum

European paintings, ancient sculpture, illuminated manuscripts, and photographs spanning centuries of artistic achievement.

J. Paul Getty Museum hero image
IrisesVincent van Gogh · 1889

Art history grounded in conservation and material science.

he Getty pairs an encyclopedic visual collection with world-leading scientific research and conservation institutes. The objects across the Getty Center and Getty Villa—from ancient Mediterranean antiquities to post-war photography—are studied not just for their iconographic meaning, but for their physical reality: the composition of a glaze, the dendrochronology of an oak panel, the chemical degradation of early photo emulsions.

This technical scrutiny reshapes what visitors see. A manuscript preserved by centuries of darkness, a bronze attributed through alloy analysis, an Old Master canvas revealing altered brushwork beneath the surface—each work represents a convergence of aesthetic ambition and material investigation.

Highlights

Irises

Irises

Vincent van Gogh · 1889

Oil on canvas
Statue of a Victorious Youth

Statue of a Victorious Youth

300–100 B.C.

Bronze with inlaid copper
The Abduction of Europa

The Abduction of Europa

Rembrandt Harmensz. van Rijn · 1632

Oil on single oak panel
Portrait of a Halberdier (Francesco Guardi?)

Portrait of a Halberdier (Francesco Guardi?)

Pontormo (Jacopo Carucci) · 1529–1530

Oil (or oil and tempera) on panel transferred to canvas
Starry Night

Starry Night

Edvard Munch · 1893

Oil on canvas
Adoration of the Magi

Adoration of the Magi

Andrea Mantegna · about 1495–1505

Distemper on linen
Statue of a Kore (The Elgin Kore)

Statue of a Kore (The Elgin Kore)

about 475 B.C.

Marble
Kouros

Kouros

about 530 B.C. or modern forgery

Dolomitic marble
Study of a Mourning Woman

Study of a Mourning Woman

Michelangelo Buonarroti · about 1500–1505

Pen and brown ink, heightened with white lead opaque watercolor
Caricature of a Man with Bushy Hair

Caricature of a Man with Bushy Hair

Leonardo da Vinci · about 1495

Pen and brown ink
Christ's Entry into Brussels in 1889

Christ's Entry into Brussels in 1889

James Ensor · 1888

Oil on canvas
The Creation of the World (Ms. 64 (97.MG.21), fol. 10v)

The Creation of the World (Ms. 64 (97.MG.21), fol. 10v)

probably 1170s

Tempera colors, gold leaf, silver leaf, and ink
Initial F: The Tree of Jesse (Ms. 64 (97.MG.21), fol. 146)

Initial F: The Tree of Jesse (Ms. 64 (97.MG.21), fol. 146)

probably 1170s

Tempera colors, gold leaf, silver leaf, and ink
Human Erosion in California (Migrant Mother)

Human Erosion in California (Migrant Mother)

Dorothea Lange · March 1936

Gelatin silver print
Apollo Crowning Himself

Apollo Crowning Himself

Antonio Canova · 1781–1782

Marble

Themes

The Collector's Eye
Sacred and Profane in European Art
The Human Face
Light and the Act of Looking
Luxury and the Made Object
Antiquity and Its Afterlife
Tombs, Steles, and Remembered Faces
Lamps, Coins, and the Roman Table
The Working Sheet: Studies Before the Masterpiece
Nature Up Close: Specimens and Studies
Painting Light: Impressionism and After
Baroque Drama and the Human Body
The Painted Letter: Initials and Margins
Books of Hours: Devotion and Daily Life
The Camera Goes West
The Cabinetmaker's Art: Marquetry and Gilt Bronze