Asian Art

More than 35,000 works spanning 6,000 years of Chinese, Japanese, Korean, South and Southeast Asian, and Central Asian art.

Asian Art hero image

Six thousand years, where the brush never lost its authority.

n calligraphy, in painting, in the woodblock print, the line drawn in ink held a prestige across Asia that the West reserved for oil on canvas. It sustained traditions that ran continuously for millennia, rather than lurching between revolutions.

It is all, finally, ink on paper — and that one medium carries a monk's devotion and a city's cheap entertainment with equal seriousness. Unroll a Chinese hand-scroll like time itself, stand under Hokusai's wave, then walk Hiroshige's rain-streaked roads.

Highlights

唐 韓幹 照夜白圖 卷|Night-Shining White

唐 韓幹 照夜白圖 卷|Night-Shining White

Han Gan · ca. 750

Handscroll; ink on paper
北宋   徽宗   竹禽圖   卷|Finches and bamboo

北宋 徽宗 竹禽圖 卷|Finches and bamboo

Emperor Huizong · early 12th century

Handscroll; ink and color on silk
波濤図屏風|Rough Waves

波濤図屏風|Rough Waves

Ogata Kōrin · ca. 1704–9

Two-panel folding screen; ink, color, and gold leaf on paper
老梅図襖|Old Plum

老梅図襖|Old Plum

Kano Sansetsu · 1646

Four sliding-door panels (fusuma); ink, color, gold, and gold leaf on paper
北魏正光五年 鎏金青銅彌勒佛像|Buddha Maitreya (Mile) Altarpiece

北魏正光五年 鎏金青銅彌勒佛像|Buddha Maitreya (Mile) Altarpiece

dated 524 (5th year of Zhengguang reign)

Gilt bronze
元 廣勝寺 藥師佛法會圖壁畫|Buddha of Medicine Bhaishajyaguru (Yaoshi fo)

元 廣勝寺 藥師佛法會圖壁畫|Buddha of Medicine Bhaishajyaguru (Yaoshi fo)

ca. 1319

Water-based pigment over foundation of clay mixed with straw

Themes

The Scholar's Brush
The Buddhist Image
Painted Screens and the Natural World