The Costume Institute

More than 33,000 costumes and accessories spanning five centuries of fashion history, from 15th-century European dress to contemporary haute couture.

The Costume Institute hero image

The one art form everyone is required to practice.

lothing is the medium no one opts out of — but only some of it is built like architecture, engineered to reshape the body and freeze a moment's idea of beauty. Fashion enters the museum when the cut becomes an argument.

Study a Charles James ball gown's hidden scaffolding, a Balenciaga sleeve's impossible curve, a Schiaparelli flourish of wit. Five centuries of dress, read not as nostalgia but as design under the most exacting constraint of all — it has to be worn.

Highlights

"Bar"

"Bar"

Christian Dior|House of Dior · spring/summer 1947

silk
"Oyster Dress"

"Oyster Dress"

Alexander McQueen|Alexander McQueen · spring/summer 2003

silk
"Butterfly"

"Butterfly"

Charles James · 1955

silk, synthetic
"Clover Leaf"

"Clover Leaf"

Charles James · 1953

silk, silk/rayon
Ball gown

Ball gown

Charles Frederick Worth|House of Worth · ca. 1872

silk
Coat

Coat

Gabrielle Chanel|House of Chanel · ca. 1927

silk, metal

Themes

Haute Couture as Architecture and Art
Fashion as Protest and Provocation
Sculpting the Body's Silhouette